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Though
the English literature of Renaissance may be rich, in all its manifestations,
the drama is its chief glory. In this way, the vast majority of the creators
took a stab at play. Shakespeare is one of them. At the point when he began
composing numerous other extraordinary authors were additionally occupied
recorded as a hard copy plays, among them Nashe, Marlowe, Greeno, Peep, Lodge
and Lyly and so on. These screenwriters had been the understudies of Oxford and
Cambridge colleges and were profoundly instructed men while Shakespeare had no
such conventional capability to flaunt. He had started his career as an actor
and he started writing plays in a non-serious manner. Obviously, he had nothing
behind him except his natural genius and his daily experience of the stage. He
had no theory of literature, but a talent so flexible that it adapted itself to
every genre and imitated every note on which a poet had ever played.
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ESSAY
WILLIAM
SHAKESPEARE AND SIXTEENTH CENTURY THEATERS
OR
WILLIAM
SHAKESPEARE AS A RENAISSANCE DRAMATIST
OR
WILLIAM
SHAKESPEARE AS A RENAISSANCE PLAY WRITER
OR
WILLIAM
SHAKESPEARE AS A 16TH CENTURY PLAYS WRITER
1. The University Wits:
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